Review requests ~ firstname.lastname@example.org
This is an autobiographical how-to graphic novel of how Natalie ‘Tally’ Nourigat made her move to LA from Portland to work in animation as a storyboard artist.
We find out from her clever storyboards, and her neatly printed text (both in superb detail), how she started out working as a comic book artist back in Portland with dreams of working down in Los Angeles, CA, and how she managed to make that daunting move and get her foot in the door.
Not only does she tell her own tale of ‘how she did it’, she reveals the pros and cons of her living in ‘La-La Land’, she helps aspiring artists and animators figure out if it’s really for them by really delving into the difficulties of the job search and realities of the animation and entertainment industry, and gives pro tips for making it from some others working in the community.
I do have to say I had a particular interest in how Natalie approached this topic (a move to LA for work in the entertainment industry), as I wrestled with this decision myself back in the late 90’s when I worked in film production.
I would’ve given my left arm (not my right one, because then I would’ve been useless doing my actual on-set job as script supervisor) for an adorable, as well as fascinating and informative graphic novel like this. At the time, I felt absolutely lost when it came to doing something like this, and making a move from Seattle to LA (and mine would have been for all freelance work, not for a regular job at a studio, although my aim was to join a union) was beyond daunting. I did make quite a few trips down to the LA-area to stay with friends, as Natalie suggests, and even took some short freelance film gigs, but social media back then was not what it is today, I didn’t drive, and I think ultimately I felt like a move was too hard back then. I also continued to have a lot of film work up here in Seattle. Where were you when I needed you, Tally?
What Natalie has done with this graphic novel though, has taken a lot of that fear (something I recognize) and made the process seem so much less daunting and anxiety-inducing than it would otherwise be. She is honest but upbeat, positive but realistic. LA isn’t for everyone, even if it’s the place of your dreams, and even if you’re talented.
But this will give you a brilliant outline to follow should you give it a go (it would work quite well for anyone searching for an entertainment studio job or making a move to LA for certain steady film/TV jobs).
BOOM! Box Studios might be on to something here. Maybe this can be a ‘thing’: I can envision a whole series of these, and if these graphic novels were suggested by career guidance counselors for young adults, can you imagine the enthusiasm?! My goodness!
Ultimately, this kept me engaged all the way through, and I’m definitely not trying to find a job in feature animation! But this is superb.
*One thing that kept coming up that I couldn’t stress more and I’m so glad was included: a lot of success and getting work is due to luck and timing. So so true.
Scarlett DeHaven is a country-song songwriter who let success in Nashville lead her to fall into the trap of drugs and alcohol. After a stint in rehab, she moves to Virginia after having purchased a huge gothic historic mansion, and plans to turn it in to a bed and breakfast, despite the enormity of the task or even all the signs she seems to be getting from around her that it’s the wrong thing to do.
She gradually finds out that Asphodel House and Meadows was the site of a brutal mass killing, and ever since then, it’s been said to be used for some sort of cult, maybe even vampires or druids. Scarlett doesn’t want to believe any of it, and she soon breaks her sobriety when her friend Stella comes to stay and starts to feel things will be okay with this new start.
That’s where the downward spiral, inside and out, seems to begin.
This is a not only an excellent paranormal thriller and ghost story, with elements of a cult and vampiric rituals, but also a novel about someone trying to go through recovery and deal with addiction and the trappings of what fame and fortune can do. It’s a lot more involved than initially meets the eye.
When asked to review this novel, I said yes based on it purely being a paranormal haunting-type story set in old house, and that didn’t even remotely set me up for what an amazing ride I had with this book.
Every time I sat down to read it, I was deeply entrenched in Scarlett’s plight: she had taken on this multi-million dollar money-pit with good intentions (even though her original search for the house was made when she was high), and she starts drinking more as the stress of it starts to take hold. When she breaks sobriety it broke my heart, but I found myself empathizing with the inner battle she constantly has with herself throughout the novel, and recognize the shame and isolation she feels. The addiction story may be hard for some people to read if they have had some experience dealing with addicts or recovery themselves. Still, it’s not done with kid gloves and Clarke does it with kindness and realistically.
Author London Clarke paints a vivid picture of both this looming mansion as well as this addiction in Scarlett’s life as they take over congruently; they work simultaneously like the demons that take hold. Asphodel House itself becomes its own character in the novel and is a force to be reckoned with, and it made me think of other famous literary haunted houses such as Hill House, and Amityville.
Scarlett’s past comes back to haunt her in many forms, and the other characters in the novel serve to remind her that she can’t step away from it. There are several humbling moments that serve as pivotal points for her too, and her story arc is heart-wrenching. There are many bright spots though, as she pushes forward, and I appreciated the levity brought by some of the positivity she has (her denial serves her well too), and it broke up the moments where I truly had chills reading this book. It takes a lot for me, having read countless horror and thriller novels, and having worked on horror movies too. I also found the twists and turns to really take me by surprise.
I liken this indie-published ebook to one of the many independent movies I worked on when I worked in film; not enough people will get to read it (like they didn’t see those brilliant movies) because it’s not attached to a big publishing house (studio) or has a big name attached to it, and that’s a shame. This book is EXCELLENT. I was gripped all the way through. I want to make sure everyone I know who loves a good, chilling read, hears about ‘The Meadows’.
*I received a free copy of this book to review and this did not affect my opinion of the book.
In this dark fantasy, Janneke is the last child in a family of daughters and has been groomed to be the ‘male heir’, having been taught to hunt, track, and fight. When her village was burned to the ground she was the only survivor and was taken captive by the malicious goblin Lydian, who scars her for life, and who then sends her to work for his nephew Soren.
She then has to serve this monster who she is bonded to in the Permafrost. A brutal hunt begins for the beautiful white stag as Lydian and Soren compete for the throne of the next Goblin King. Janneke's humanity comes at the cost of becoming more attached and loyal to the goblin Soren, and as she has to learn to survive in the world she has been made to live in, learning truths about the past and about who she really is.
This is the first novel from a talented new author, Kara Barbieri, who brought it to life on WattPad; she has imagined a world called the Permafrost, heavily influenced by Nordic mythology, laden with dangerous monsters alongside the goblins, living in an unforgiving frozen landscape. Set to be the start of a series, ‘White Stag’ is both frightening and captivating.
*Frightening because of the amount of sheer brutality in the novel: there are plenty of references to rape, torture, mutilation, and abuse, as well as all the combat/fighting leading to bloodshed and descriptions of injuries and more. Janneke has been victim to unspeakable acts at the hands of Lydian, and we gradually learn about his true capabilities as the story goes on, making him just about the vilest character you can possibly ever read about. Soren, who she is bound to, is the unlikely antidote to this goblin villain, and ironically becomes the one to bring romance and emotion to her world, despite the ‘humanity’ leaving her life.
*That's your trigger warning, folks!
What I found most appealing about the book, is the journey that Janneke goes on, both physically and emotionally, which kept me captivated throughout; the hunt and the battles are relentless and test her constantly, and the relationship with Soren gradually changes. I've read some criticism of the relationship between her and Soren (I made the mistake of reading others' reviews, which I don't normally do), and I disagree that it would be unlikely that she would become attached to him, given that she is his charge and bound to him. I wasn't sure whether to attribute her feelings towards Soren to a sort of Stockholm syndrome or because she genuinely developed feelings for him because he seemed to care for her (he became more human as she lost her humanity). The dichotomy here is fascinating. They've been attached for some hundred years or so, and the intensity would undoubtedly bring some connection; why now though is more the question, but it makes for great reading.
Barbieri has set the stage for a series in a world that may trigger many readers but evokes images, not unlike the Game of Thrones and is for anyone who loves Viking or Nordic-inspired tales and mythology. I appreciated her sense of humor throughout the novel, and I know there is so much more to come from this bright light that is Kara Barbieri.
’THE DISASTERS’ RELEASES TODAY, 12.18.18!
It has been a long time coming because I have been on the launch crew waiting for this book to be released and FINALLY, we have LIFT OFF!! ‘The Disasters’ is a super-fun YA space adventure about a bunch of misfits who end up saving the galaxy.
I was able to give M.K. England some interview questions about her debut book, about growing up on the Space Coast of Florida, and her love of Star Wars, so check out the Q&A and about the book below!
Thank you to The Fantastic Flying Book Club for having ME yet again!
ABOUT THE AUTHOR, M.K. ENGLAND
M.K. England is an author and YA librarian who grew up on the Space Coast of Florida and now calls the mountains of Virginia home. When she’s not writing or 'librarianing,' MK can be found drowning in fandom, going to conventions, rolling dice at the gaming table, climbing on things in the woods, or feeding her video game addiction. She loves Star Wars with a desperate, heedless passion. It’s best if you never speak of Sherlock Holmes in her presence. You’ll regret it.
I'm so excited to be able to do Q&A with you, as I've been on the 'Launch Crew' for your book 'The Disasters' for MONTHS! Finally, it's hitting shelves TODAY, so there are some questions that must be asked. I already know you're a Ravenclaw (me too), and born under the sign of Cancer, so you're a Crab (me too, so let's ask some more important stuff).
1 First of all, the blurb on your book has to be one of the best I've ever read, 'The Breakfast Club meets Guardians of The Galaxy', not just because those are two movies that I absolutely love, but because I'm total movie buff myself (with a film degree and background) and I have an inkling that movies have inspired 'The Disasters' big time.
What are your 5 top movies (*you can't include Star Wars here!)?
I’m honestly more of a TV person than a movie person, so I’ll include TV and movies here. There’s are in no particular order because narrowing down to five is already cruel enough without ranking them!
2 Without spoiling too much about 'The Disasters' you have made the distinct choice of keeping humans very human, despite it being 2194, and there being advancements so that people may live on other planets. In contrast to a lot of other science-fiction about the future of the human race, why did decide to keep us that way?
A combination of complicated reasons. In this world, the A-drive technology
that lets humans travel quickly between the stars was sort of a lightning
strike discovery in 2050ish, which isn’t really that far away. As soon as that
happened, you know there’d be a big political upheaval and a second space
race, which I obliquely reference in the book. That kind of stuff always sets
us back as humans, even as it brings us forward in technology.
With humanity establishing new homes out among the stars, something that
would require a lot of hands-in-the-dirt work, I think our base humanity
would stay largely intact, at least in the early days. I didn’t want to portray a
future where we’ve totally disappeared into the cloud just as we’ve opened
up this whole vast galaxy to explore. I imagine this book set during a very
outward-facing time in humanity’s history, stretching out, focusing
technological development on those goals, rather than necessarily turning it
inward on the human body and mind. Not that these things can’t happen
concurrently, but it wasn’t really the kind of story I wanted to tell.
Ultimately, though, there are some core things about humanity that I hope
will always exist. A need to laugh, to love, to build connections, to explore.
Those are the fundamentals of being human, to me, and I hope we never
3 I was drawn to 'The Disasters' not just because of the amazing purple cover (props to your cover designer, Jenna Stempel-Lobell) but because I'm drawn to storylines where I have to root for the underdog. This is a common theme in YA but this really is a story about a bunch of rejects.
What was it that drew you to writing a story about this bunch of hapless teens-turned-heroes?
Lovelovelove the cover, and so grateful for the design team at HarperTeen! The basic seed of the idea of this book was “a hotshot pilot fails out of a space academy on his first day,” so that underdog sense was baked in from the very earliest glimmers. From there, I think the concept naturally developed into a way for me to explore a lot of my own angry thoughts about how people get labeled as rejects or failures or whatever just for making one mistake, or being different, or responding to the way society has shaped them. Our cultural idea of who gets to be a hero is so narrow. I’ve also spent most of my life obsessed with success and validation, which is totally unhealthy, and I think I’ll have a lot more to say on it in future books.
4 There are some interesting relationships in 'The Disasters' including a pair of brothers who have spent a good deal of their teen years apart, with one of them, the main character Nax, believing his brother hates him. It's refreshing to read a book with male teens who end up having to actually talk to each other and be emotionally vulnerable; do you feel like there's a gap in YA lit when it comes to this?
I didn’t actually set out to fill any sort of gap with it, but yes, I do think all aspects of our society are lacking in good emotional models for teens who are socialized as male. I hope we can continue to expand the range of emotions we allow all characters to experience: angry, emotionally-constipated girls (hello, my next book), sensitive and vulnerable boys, non-binary characters period—we need it all!
5 Many people know you are a YA librarian (shout out to librarians everywhere!): What would you say is the number one key to encouraging a reluctant reader of any age?
Please, for the love of cupcakes, LET THEM READ WHAT THEY WANT. I want to scream every time a parent takes a book out of a kid’s hand because “it’s a graphic novel and that’s not real reading” or “that book is for girls” or “Twilight/The Hunger Games/etc. is garbage” or whatever else. The same thing applies to adults—can we not shame each other for loving romance, or cozy mysteries, or the latest James Patterson, or whatever else. Let people love whatever books speak to them and celebrate that love.
6 I know you grew up on the Space Coast of Florida, but you now call the mountains of Virginia home. Do you feel as though your childhood environment encouraged your love of all things space? How so?
Definitely. I feel like I would have come around to space eventually anyway, because it was really stuff like Star Wars and Issac Asimov’s nonfiction that dragged me into the deep end, and there are tons of people who grew up in my town who couldn’t care less about space. But being able to watch space shuttles and rockets launch from my backyard absolutely had an impact. Same with my parents always taking me to work and talking about the boring-but-necessary logistics side of the aerospace industry. It was part of the soundtrack of my early life and I’m grateful for it.
7 Okay, here comes the big question, since I know the whole Star Wars universe has been a big influence in your life AND it has inspired your writing. What is your favorite Star Wars movie, AND who is your favorite character?
ARG YOU ARE CRUEL INDEED. From the original trilogy, I think Empire Strikes Back is objectively the best movie, but A New Hope is the one I like to re-watch the most. It’s where it all started! Of the new stuff, I like The Force Awakens best. I love seeing the Star Wars Universe diversified and with a female lead. I can’t even imagine what the impact would have been on my childhood, having those movies. I had a seriously emotional moment at Disney recently, walking around the Star Wars area and seeing little kids of all genders dressed up and wearing SW shirts. MY HEART!
Favorite character… so hard. SO HARD. HOW DARE YOU.
Old trilogy: Han Solo
New trilogy: Poe Dameron
Extended Universe: Wedge Antilles & Tycho Celchu
(Honestly, the Force is my least favorite part of the SWU. Give me alllllll the pilots!)
8 Any hints about your second book you'd like to share?
I just turned in the final draft, huzzah! On to copyedits we go! It’ll be out in early 2020, maybe January. I can’t say much about it yet, but I can’t wait to reveal the title. It’s a sci-fi/fantasy mashup with similar pacing and humor to THE DISASTERS, but more emotionally intense, in my opinion. It’s very Final Fantasy 7 meets Six of Crows. Angry girl MC, nonbinary love interest, sass, and #friendshipgoals!
Good luck with the book, and thanks for answering my questions! It has been a lot of fun being on the 'Launch Crew'.
I'll be happily telling everyone to read your book; I already plan to buy a few copies for people!
The concept of this book is intriguing: two people are ’stuck’ inside a room until the truth comes out. It reads much like the basis for the plot of the horror movie series ’Saw’ or how it would be to be stuck in a nightmarish panic room.
But in the case of ’The Liar’s Room,’ a dangerous client is keeping a therapist in her office, forcing the truth to come out about her dead son, and has let her know that he is holding her daughter hostage somewhere until she divulges everything.
It is extremely rare for me to give up on a book for content, style, pace, just about anything. But I'm afraid to say that this one has broken my streak of finishing books because I do believe I should give them a chance right through until the end. But someone mentioned recently to stop reading a book if you're truly not enjoying it, and I got to a point in this one where I honestly was not enjoying it anymore.
What absolutely did it for me was abuse to an animal (a cat) and this followed a fair amount of obscene language that I felt was over the top and ’reaching’ just a bit. I'm not a prude, or naïve by any means, and I'm not scared away by much (I actually read a lot of horror writing), but it felt like this was used as a plot device for shock value and didn't serve enough as part of the storyline. Additionally, the detail, since it was being explained as something being looked back on, was unnecessary and the situation that this happened within was feeling like a continued stretch to me.
I was already having trouble staying with the story going from the therapist office (a static location) to lengthy descriptions of what happened in the past. It wasn't holding my interest how I hoped it would.
I hate that I couldn't continue with this but once I got to that point in the book, I had that nasty image in my head and it wouldn't disappear. I can handle just about any horror movie, all the blood and guts, I'm not afraid of heights, needles, snakes, nothing. But don't give me animal abuse.
I absolutely want to read Simon Lelic’s other books though; I have several on my TBR list. I'm actually a big fan of psychological thrillers.
This one, however, was not for me.
This book is exquisite. ‘Voices: The Final Hours Of Joan Of Arc’ has brought life once again to one of the most unforgettable and extraordinary female warrior icons. Everyone knows her name, but do they know her story?
Told in verse, in different medieval forms of poems, ’Voices’ is so unique (some stanzas are shaped like the subject that is ‘speaking,’ ie the sword or the crossbow). David Elliott has written such a compelling account of Joan’s short life from her beginnings in Domrémy, to her visions of the Saints, the battles she led against the English, and her eventual capture and execution. The encroaching ‘Fire’ poem that repeats throughout the novel is particularly clever and impactful.
Back then in 1430 France (when she was captured and put on trial), Joan was viewed with suspicion and as an affront to the Crown because she dressed in armor and wanted to ’look like a man’. She didn't believe she should have to stay at home ’to sew and mate’ when a war was being fought, simply because she didn't want to, never mind her sexuality. Her story has always been known as one of the earliest examples of a woman standing up against misogyny, against a patriarchal system that didn't make sense to her, and because her beliefs simply wouldn't allow her to sit down and accept what was happening around her.
Joan’s voice and perspective come through clearly in the novel as brave and courageous, with the right bit of stubborn. She questions the system and pursues her objectives, which give the novel an obvious ambiance of inspiration throughout. I only really wanted more from the novel when it came to the trial and perhaps the very end of her life.
Joan became a Saint after her death and was declared a martyr for everything she gave for ’God and country’. I did appreciate the epilogue and author's note at the end of the book; it seems this work was a labor of love and I enjoyed reading about its inception.
Joan of Arc is a historical figure who is infamous because of the brave, short life she lived, with such a tragic death, and I think Elliott has written something brilliant here that can draw many people in to learn more about her.
It's present-day San Francisco, and ’The Waning Age’ is 10 years old. This means that at that age, it's expected that you will lose your ability to feel emotions. You will lose not only lose the ability to feel sadness, but also joy and everything in between.
Natalia Peña is the main character in this engaging novel, written as dated entries in a journal, and she has already waned. But her younger brother Calvino, who she calls Cal, has not, and he doesn't seem to show any signs that he will. Since their mother died tragically they have been living with foster parents, and while they show close bonds, it's only Cal who shows what would be recognizable as normal human responses to events around him, so much so that a company called RealCorp takes Cal to do tests on him to find out why he isn't waning.
They are also a major manufacturer of ’synaffs’ which are synthetic drops that basically only the wealthy can now afford in order to feel whatever emotion you choose. Ones that are bought on the street could be made of any unknown dangerous harmful chemicals causing the wrong emotional reactions. Most people instead choose to go through their lives feeling nothing, having forgotten what it felt like to have an emotion.
At the center of this illuminating book, beyond the fight that Natalia goes through to get her brother back from RealCorp, is a look at what humans are without their ability to feel. The absolute best sci-fi writing can feel so frighteningly real and believable, and this conversation about what humans are without - most importantly - being empathetic towards each other, touches on a nerve.
As someone who has always been emotional, having dealt with depression and anxiety and being the sort of person who has even lamented about how much easier life would be if I wasn't so empathetic (in contrast to others around me), this was eye-opening.
What has supposedly separated us from other beings is our ability to have emotions, to be ’sentient’, so what are we when we can't feel?
This is at the core of the characters in the book called Fish: they make me think of those who can commit baseless crimes without remorse or motive, they're basically psychopaths.
Questions came up in my head about how is this different from the thinking of someone who shows no emotion toward the victim and can commit serial murders.
What's the difference between thinking and feeling? How do we express emotion without feeling it? How do we have relationships without showing emotions? Is our own society going in the direction of where people aren't able to show or feel emotions? How have technology and social media contributed to this?
All of these questions come up and it really had me thinking!
I personally feel like one of the most essential problems today is that most people lack the ability to be empathetic towards each other. ’The Waning Age’ really made me sad (*emotion!) at the prospect of emotions disappearing altogether, good and bad, and how that would obliterate compassion completely.
Author S.E. Grove has managed to write a YA sci-fi novel that not only recognizes the bond between brother and sister, but she has also done some brilliant world-building, with just the right amount of action, and has brought some big ideas to the table. I will be thinking about this one for a long time, and I have already told a few other sci-fi authors about it.
'The Waning Age' is more profound than initial impressions would let on. And I have to say, this would make an excellent movie!
RELEASE DATE: February 5th, 2019 (add it to your TBR now!!)
I’m going to go ahead and post the info and giveaway, (and link to an excerpt!) for this wonderful fantasy book about to be released on November 27th, but I didn’t get to review it in time because my early reader’s copy has got lost in the mail (or someone is reading it at the post office)!!
Once I have received it I’ll be able to post a review but for now, I’ll tell you a little bit more.
Thanks, as always, to my friends at The Fantastic Flying Book Club for having me on the book tour!
ABOUT THE AUTHOR, LYRA SELENE
Lyra Selene was born under a full moon and has never quite managed to wipe the
moonlight out of her eyes. When she isn’t dreaming up fantastical cities and brood-
ing landscapes, Lyra enjoys hiking, rainstorms, autumn, and pretending she’s any
good at painting.
She lives in New England with her husband, in an antique farmhouse that’s probably
not haunted. AMBER & DUSK is her debut novel.
You can find her online at LyraSelene.com
ABOUT THE BOOK
Amber & Dusk
by Lyra Selene
Publisher: Scholastic Press
Release Date: November 27, 2018
Genre: Young Adult, Fantasy
Sylvie has always known she deserves more. Out in the permanent twilight of the
Dusklands, her guardians called her power to create illusions a curse. But Sylvie
knows it gives her a place in Coeur d'Or, the palais of the Amber Empress and her
So Sylvie sets off toward the Amber City, a glittering jewel under a sun that never
sets, to take what is hers.
But her hope for a better life is quickly dimmed. The empress invites her in only as
part of a wicked wager among her powerful courtiers. Sylvie must assume a new
name, Mirage, and begin to navigate secretive social circles and deadly games of
intrigue in order to claim her spot. Soon it becomes apparent that nothing is as it ap-
pears and no one, including her cruel yet captivating sponsor, Sunder, will answer
her questions. As Mirage strives to assume what should be her rightful place, she'll
have to consider whether it is worth the price she must pay.
Here is AN EXCLUSIVE BOOK EXCERPT! Just click on this SCRIBD LINK!
And to enter the GIVEAWAY to get the chance to win a copy of book (US only), head over to the AMBER & DUSK GIVEAWAY! It’s running from 11/12 - 11/30
In the meantime, add this to your Booklikes TBR, and to your GOODREADS!
When someone recently asked ‘Katherine, can I send you some candy and a book?’, what on earth do you think I possibly replied?
There was a teeny catch - well, actually a few (and yes, luckily I knew the sender); there were some rules to this 'Wicked Reads' Halloween campaign...
I won't tell you the books but I WILL tell you the candies: they were TWIZZLERS, SOUR PATCH KIDS, SNICKERS, JOLLY RANCHERS, & SWEDISH FISH.
Which would have you have chosen?
I was hoping for a gory, bloody read, and my guessing wasn't too bad (I nearly matched the book to the candy I wanted!). I did get one of the books I hoped for though - 'There's Someone Inside Your House', by Stephanie Perkins - because I wanted to write a creative post about my favorite slasher/horror movies.
'There's Someone Inside Your House' is a YA thriller-horror of the slasher variety; someone is killing teens at the high school, so naturally the list is where my head went to...
I used to work in film production (I have a BA in film) and I had the devilish delight of working on a whole slew of 'highly-rated' and so-much-fun-to-make horror movies during my illustrious film-making career.
This is my favorite movie-watching season so this just had to be done!
*MY ULTIMATE MUST-SEE HORROR-SLASHER MOVIE LIST*
*I do give some details about the movies away but not too much; you may know some of these, yes?! Click on the titles to take you to the movie links on IMDb after you have read my blurbs:
HALLOWEEN (1978) - This really is the penultimate classic teen slasher movie, and it stars The Scream Queen herself, Jamie Lee Curtis. Michael Myers has escaped a mental institution and is on the loose in Haddonfield on Halloween night. Jamie Lee plays Laurie, and this movie made her a star. You won't forget that ominous soundtrack, and you won't get that masked face out of your mind.
*Subsequent 'Halloween' movies (not talking about the recent installment) weren't quite as good, but do watch the second one right after the first for full effect.
FRIDAY THE 13TH (1980) - This started yet another horror movie franchise (and again didn't expect to), but this time the star wasn't even in the original/first installment. Everyone seems to know about Jason Voorhees terrorizing the campers who come to Camp Crystal Lake, but this 'campy' debut in the series is one to watch because of how it's a little different from the ones that follow. The deaths are gory, there's lots of blood, and you will probably recognize only Kevin Bacon as one of the actors who went on to anything after this.
*Again, the second installment is alright too, as is the third; the Jason character has a metamorphosis in the films, but after that, the killings get to the point where they are laughable or gratuitous. The actor who plays Jason believes he has the highest body count of any horror actor, and takes great pride in doing his role.
SCREAM (1996) - A movie that turned the entire horror genre on its head, coming from the horror-movie making legend Wes Craven (of 'A Nightmare of Elm Street' fame), 'Scream' has its costumed killer targeting a group of teens by using the 'rules' of horror movies as his 'code'. Like Hitchcock's 'Psycho', when its star is killed off very early on, Drew Barrymore is the first to go, which totally threw the audience through a loop. This movie really is genius, and because it comes from one of the horror masters, there are gems in here (humor, pacing, the script, references to other movies), that would otherwise fall flat with another filmmaker.
*Inspired one of the most recognizable Halloween costumes (the 'Scream' mask) I can think of.
PROM NIGHT (1980) - Hot off her 'Halloween' success, Jamie Lee Curtis decided to take on another horror, shedding the veneer of being the vulnerable screamer. This time she's prom queen, and one of a small group of teens who covered up the accidental death of a friend six years ago. Naturally it's the night of the high school senior prom and what better occasion than this for a masked killer to knock off these teenagers who need to pay for what they allowed to happen to their friend all those years ago.
*Features some excellent disco tracks, rad dance moves and fashion.
THE SHINING (1980) - This film upped the ante when it came to horror because of all the perfect ingredients. First of all, its A-list director, Stanley Kubrick, was a master filmmaker, and he employed a brilliant cast, including Jack Nicholson in one of his most unforgettable roles. Based on the haunting book by one of the most profilic horror writers of our time, Stephen King, ‘Jack Torrance’, his wife and child, head to the deserted Overlook Hotel (could there ever be a more memorable movie setting too?!) to be ‘caretakers’ in the off-season and so Jack can write. But his descent into madness, played so well by Nicholson, directed perfectly by Kubrick, is captured on film and it’s movie perfection.
*Stephen King wasn’t too impressed with the adaptation, despite this being regarded as one of the best movies of all time, and one of the best of his book adaptations.
**Considered a ‘slasher’ movie because of the famous axe swinging (that axe lives here in Seattle at the ‘MoPop’ at the Horror Exhibit).
SHREDDER (2001) - Last but not least, I thought I’d include this straight-to-DVD slasher-horror movie that I worked on, quite a few moons ago now. It’s not great, it’s actually funny in parts, and it’s aimed at a teen audience, but I would have to say it was one of the craziest movie-making experiences I ever had. We filmed it up at Silver Mountain, Idaho, and the majority of it was filmed at night; standing in the snow for hours in the middle of the night making movies is a cold business (and we made a bloody mess wherever we went). I took the gig because I had friends working on it, and I wanted the challenge of working on a movie in the snow and on a mountain, and I was pretty stoked at myself.
Movie-making is fun, but it’s HARD! I worked on movies for about 10+ years.
*There’s nothing quite as funny as taking breaks with actors with ice picks in their backs...
I hope you enjoyed my list; are any of these new to you? What’s your favorite?
I’ll be finishing off my book right now; thank you to Penguin and the Wicked Reads campaign for the goodies and my signed copy of the pretty book you see below!
I have the super-duper fabulous honor of revealing the cover for the upcoming sophomore novel from the talented KATYA DE BECERRA today; I’m one of the chosen few to do so and I’m thrilled!
Katya’s debut novel, ‘WHAT THE WOODS KEEP’ has barely hit the shelves (9.18.18) but she’s ready to give readers another haunting, horror-adventure to set their sights on for their next Fall read. This time she’s going to take us on a terrifying trip to the hot desert sands of Dubai...
Katya de Becerra was born in Russia, studied in California, lived in Peru, and then stayed in Australia long enough to become a local. She was going to be an Egyptologist when she grew up, but instead she earned a PhD in Anthropology.
Alif had exciting summer plans: working on her father’s archeological dig site in the desert with four close friends... and a very cute research assistant. Then the sandstorm hit.
Their camp wiped away, Alif and the others find themselves lost on the sands, seemingly doomed… until they find the oasis. It has everything they need: food, water, and shade—and mysterious ruins that hide a deadly secret. As reality begins to shift around them, they question what’s real and what’s a mirage.
The answers turn Alif and her friends against each other, and they begin to wonder if they’ve truly been saved. And while it was easy to walk into the oasis, it may be impossible to leave...
Katya de Becerra's new supernatural thriller hides a mystery in plain sight, and will keep you guessing right up to its terrifying conclusion.
Now go and add it to your TBR here, and on your GOODREADS!
So here’s that beautiful, captivating cover I promised you...
It's here! One of my most anticipated books of the year; it's the follow-up to Emily Suvada's immensely successful debut 'This Mortal Coil', and it has one of the most unforgettable covers (another great design thanks to Regina Flath).
You MUST read This Mortal Coil before you read This Cruel Design, and I will be (and have been) the first person to shove it into your hands so you'll read it. And this may be categorized as YA, but it has to be some of the smartest science-fiction that I've read in some time, so I'd recommend it to anyone who wants a fast-paced, intelligent dystopian read full of twists all the way through to the end.
Read on, because TODAY, to celebrate the release of This Cruel Design, I have posted the Q&A that I had the chance to have with Emily.
Thank you, as always, to The Fantastic Flying Book Club for having me on this blog tour!
ABOUT THE AUTHOR, EMILY SUVADA
Emily Suvada was born and raised in Australia, where she went on to study mathematics and astrophysics. She previously worked as a data scientist, and still spends hours writing algorithms to perform tasks which would only take minutes to complete on her own. When not writing, she can be found hiking, cycling, and conducting chemistry experiments in her kitchen. She currently lives in Portland, OR, with her husband.
ABOUT THE BOOK
'This Cruel Design' by Emily Suvada
Publisher: Simon Pulse
Release Date: October 30, 2018
Genre: Young Adult -- Science Fiction
Cat thought the Hydra epidemic was over, but when new cases pop up, Cat must team up with an enemy to fix the vaccine before the virus spirals out of control in this thrilling sequel to This Mortal Coil, which New York Times bestselling author Amie Kaufman says “redefines ‘unputdownable.’”
The nightmare of the outbreak is finally over, but Cat’s fight has only just begun.
Exhausted, wounded, and reeling from revelations that have shaken her to her core, Cat is at a breaking point. Camped in the woods with Cole and Leoben, she’s working day and night, desperate to find a way to stop Lachlan’s plan to reprogram humanity. But she’s failing—Cat can’t even control her newly regrown panel, and try as she might to ignore them, she keeps seeing glitching visions from her past everywhere she turns.
When news arrives that the Hydra virus might not be as dead as they’d thought, the group is pushed into an uneasy alliance with Cartaxus to hunt down Lachlan and fix the vaccine. Their search takes them to Entropia, a city of genehackers hidden deep in the desert that could also hold the answers about Cat’s past that she’s been searching for.
But when confronted with lies and betrayals, Cat is forced to question everything she knows and everyone she trusts. And while Lachlan is always two steps ahead, the biggest threat to Cat may be the secrets buried in her own mind.
I'm so thrilled to have been able to give these questions to Emily, as I'm a superfan of hers, so ENJOY!!
Q&A with Kat's Books
~ Thank you, Emily!!
YOU have the chance of winning one of the 2 prize copies of This Cruel Design by Emily Suvada (USA only) by ENTERING HERE!
And to ORDER THE BOOK, click on these handy-dandy links:
First, ADD to Goodreads
Order on Amazon
Order at Barnes & Noble
Or through Book Depository (International, Free Shipping *they have the UK edition with the cool DNA coil down the side)
I'm at the very end of this blog tour, but here is the link for the whole BLOG TOUR SCHEDULE!
I really hope you pick this one up, as well as This Mortal Coil, if you haven't had the chance to do that yet (you NEED to before you read this installment).
This is an excellent sci-fi series that will leave you breathless, and keep you guessing, and turning those pages deep into the night. I can NOT wait for the next, and final book in the series!
x ~ K
This book is OUT TODAY, everyone!!!! I am so excited to be posting about it and reviewing it TODAY. This is absolutely going to go down as one of my favorite reads of the year. I read all over the map (as in sci-if, horror, thrillers, you name it), but this was a truly fun read for me, with only a little bloodshed between the pages. So loosen your bodices and get comfy, and get ready for trip back home to London, England during the reign of Queen Elizabeth the First; it’s 1601.
*Thank you (again) to the amazing peeps at Rockstar Book Tours for including me on this blog tour!
ABOUT THE AUTHOR, VIRGINIA BOECKER
Virginia Boecker is the author of The Witch Hunter series and An Assassin's Guide to Love and Treason. A graduate of the University of Texas, she had a decade-long career in technology before quitting to become a full-time writer. When she isn't writing, Virginia likes running, reading, traveling, and trying new things (most recently: learning to drive a boat). She has lived all over the world but currently resides in beautiful Lake Oswego, Oregon with her husband, children, a dog called George and a cat named Thomas.
You can visit Virginia online at virginiaboecker.com or on Instagram @virgboecker
ABOUT THE BOOK
Title: AN ASSASSINS GUIDE TO LOVE AND TREASON
Author: Virginia Boecker
Pub. Date: October 23, 2018
Publisher: Little, Brown Books for Young Readers
Formats: Hardcover, eBook
When Lady Katherine's father is killed for being an illegally practicing Catholic, she discovers treason wasn't the only secret he's been hiding: he was also involved in a murder plot against the reigning Queen Elizabeth I. With nothing left to lose, Katherine disguises herself as a boy and travels to London to fulfill her father's mission, and to take it one step further--kill the queen herself.
Katherine's opportunity comes in the form of William Shakespeare's newest play, which is to be performed in front of Her Majesty. But what she doesn't know is that the play is not just a play--it's a plot to root out insurrectionists and destroy the rebellion once and for all.
The mastermind behind this ruse is Toby Ellis, a young spy for the queen with secrets of his own. When Toby and Katherine are cast opposite each other as the play's leads, they find themselves inexplicably drawn to one another. But the closer they grow, the more precarious their positions become. And soon they learn that star-crossed love, mistaken identity, and betrayal are far more dangerous off the stage than on.
Did you know that Shakespeare’s Twelfth Night was written to capture the would-be assassin of Queen Elizabeth I?!
And what do you get when you combine a cross-dressing Catholic called Katherine Arundell, out to avenge the death of her father, and put her slap-dab in the middle of merry old London?
‘An Assassin’s Guide to Love & Treason’, of course, and it’s quite scrumptious.
This romp through 1601 will have you questioning any history you may think you’ve learned about Elizabethan London, about the dalliances of Shakespearean players, and about the tension between the Protestants and Catholics at that time.
Being from England myself, I couldn’t wait to get my hands on a bit of ‘history’ from home to indulge in. I delighted in this witty, clever tale about young Lady Katherine Arundell from Cornwall, who witnesses her father’s execution for being a practicing Catholic. This was because England is now Protestant under Queen Elizabeth I, and to avenge her father’s death, she then goes to London and plans to assassinate Queenie herself. Tall order perhaps.
Katherine constructs a plan, along with her merry band of Catholic conspirators; this means she must infiltrate the upcoming production of ‘Twelfth Night’, and create a new male identity for herself, Kit.
This is really at the crux of how clever Virginia Boecker is being with ‘Assassin’s Guide’ (and I know she knows this, because of her most brilliant Author’s Note in the back; only I do hope everyone reads it!). As many of you may know, women weren’t players in Shakespeare’s plays, men were, and they played all the women’s parts too. In order for Katherine to disguise herself in London, she must become Kit (this was a name short for Christopher back then), as well as to be a player on the stage.
She then gets the part as Viola, who (if you haven’t read ‘Twelfth Night’) dresses up as a man in the play. It all becomes quite complicated when Kit becomes drawn to Toby, who is another lead player, and writer, and unbeknownst to Kit, a spy for Elizabeth Regina; he’s trying to deduce which of the Twelfth Night players is the treasonous one. Yet he’s falling for Kit, just as he did previously for the late Kit Marlowe (that’s Christopher Marlowe to you).
Katherine’s own confidence as a ‘man’ mirrors Viola’s growing confidence in the play, particularly as Toby and ‘Kit’ rehearse together, and the themes of bisexuality and questions about societal gender norms play like their own characters in the book. Just like the very irony we see in having men play the parts of women (who play men), this is a double irony, if you will, forces the characters to constantly question their identities, as well as their loyalties. At a time when many only had loyalty to the Crown or to God, questioning your identity was frowned against and was highly confusing, and naturally left you open to being cast out by all sorts of weaknesses such as witchcraft and going back to the Old Religion (Catholicism). You certainly didn’t admit to liking the same sex, even if you did put on a dress for all to see in the Globe Theatre.
The ‘supporting cast’ of William Shakespeare, the Wright Brothers, and even the Queen, lend so much color to the tapestry that Boecker has woven for this ‘Guide’, and readers will love it when familiar names and places appear in the story. I’d also say there’s a little bit of everything here to make this an all-round great read: we start off with a murder, and then we have action, romance, and a lot of wit and charm. Shakespeare would approve of all of that.
Virginia has actually taken great pains to do her research and in her Author’s Note points out where she has meddled with the history and where she has kept to the facts. I absolutely loved this small part of the book, as well as the long bibliography she has listed.
While you may not come out with a proper Elizabethan history lesson, or an actual assassin’s guide, you will be thoroughly entertained, and may (like myself) be inclined to read up on your English history and to even re-read some Shakespeare!
This was a solid 5 star read for me.
Jolly good show.
**I played Maria in my high school performance of ‘Twelfth Night’.
For a chance to win one of 3 copies (US only, sorry) of this amazing book click on this ASSASSIN’S GUIDE GIVEAWAY LINK!
And next...links to BUY THE BOOK!
And now to follow the rest of the blog tour, here’s the FULL SCHEDULE LINK!
I hope you have been totally inspired and pick up a copy of the book, and GOOD LUCK with the giveaway too!
x ~ K
“If music be the food of love, play on...”
*Guess how much this is worth?
This is a fantastic short story prequel to ‘This Mortal Coil’, giving a brief look at the five Zarathustra children who are being kept by Lachlan Agatta for his painful gentech experiments.
Jun Bei, Cole, Zianna, Anna, and Leoben feel as though, for a moment, that a new life is possible when a visitor from the Cartaxus headquarters, but work in the blackout program doesn’t look good to all of them after seeing a frightful display put on for them.
Within the short novella, we are reminded of the innocence of these kids when Lachlan was doing his work, and get a peek into some of their relationships.
The imagery of the dangerous but beautiful cactus (again, that gorgeous cover art!) is mirrored in Jun Bei/Cat, and is actually pivotal within the short story.
‘This Cruel Design’ has been my most anticipated book of the year, and I’m just starting it now (plus I’m on the blog tour), so this is a great lead-in. Like all of Emily’s work so far, there’s never enough, it’s full of complex imagery within this new world she has built, and I can’t wait to see where her new book takes me.
**You can read this free on Riveted Lit until November 30th!! Click HERE!
I fancied some ‘light’ horror and since a whole bunch of my pals on Litsy have been reaching for graphic novels this Halloween season, I thought I’d try this. And don’t be fooled: this version of Sabrina the Teenage Witch’ is most definitely HORROR with a capital H. If you are looking for something along the lines of what you would find on the CW when Sabrina was a sitcom, this is NOT it. Forget PG-spooky, it’s definitely the other end of the horror spectrum: S for Sabrina is now Scary.
Set back in the 1960’s, Sabrina is the illicit lovechild of a warlock called Edward Spellman, and a mortal named Diana, and she is raised by her aunts Zelda and Hilda (no news there). Sabrina is approaching her 16th birthday, which means she can become a fully-fledged witch, and pledge herself to the Dark Lord*. Complicating things are having a mortal boyfriend, and deciding if she can kill living animals on the spot. More fun ensues when Madam Satan shows up in town, and she is none too happy about having been sidelined by Edward for Sabrina’s mom. Enough said.
There are all sorts of horror goodies in this jumbo comic edition (it contains comics 1-5 of the ‘Chilling Adventures’, and in the back, has the variants that were printed with the different covers). The fabulous intro by the author Roberto Aguirre-Sacasa lays it all out for the reader, pointing out that the adventures are like ‘Rosemary’s Baby’, plus ‘The Exorcist’, ‘The Omen’, and Arthur Miller’s ‘The Crucible’ all rolled together. It’s ALL in here. As well as Ray Bradbury’s ‘Something Wicked This Way Comes’, zombies, and vengeance against men who have picked up innocent hitchhiking women.
The retro style of illustration harks back to comics of decades ago, and Roberto explains it’s because he wanted them to have the feel of a ‘period piece’, and it all works flawlessly. There’s plenty of dark humor (very dark), a definite feel of classic horror influencing every frame, and it’s actually no wonder that it’s being adapted into a show on Netflix. I hope they keep it just as gory, retro, and bloody though...
I’ll be continuing the series!
*To any heathens asking: no, REAL witches do NOT pledge themselves to ‘Satan’ or the ‘Dark Lord’.
**You can find this omnibus edition on hoopla!
‘We Sold Our Souls’ is one HELL of a ride. Grady Hendrix, King of horror at Quirk Books, has written a heavy metal masterpiece with a female lead guitarist, Kris Pulaski, as its star.
Less classic horror this time (his previous books are ‘Horrorstör’, and ‘My Best Friend’s Exorcism’), Hendrix has laden ‘Souls’ with conspiracy theory and real life horrors.
Kris Pulaski was in a heavy metal band called Dürt Würk two decades ago and they were on the brink of success when the lead singer Terry Hunt ripped the band apart and left to start his solo career. And it seems Terry’s rise to success was at the cost of selling the band’s souls.
That’s right, he sold their souls for rock’n’roll…or in this case, heavy metal.
Kris’ pitiful present day existence is working at the reception of a Best Western, and if you can stomach the ‘Welcome To Hell’ chapter (good horror always comes at the cost of reading things that make your stomach turn), then you can follow Kris on her journey as she gets whisked from Pennsylvania to a Satanic rehab center, and then across the country again to grimy Las Vegas. Years of grueling, crazy, exciting, challenging (to say the least), and often nasty experiences on the road with the band, were nothing compared to this trip, and it seems like all Kris’ heavy metal years were preparation and toughened her up. The journey to Las Vegas is overwhelming, but Kris has a mission she can’t ignore. There’s also a whole host of colorful characters along the way, but I do have to wonder if Hendrix has a thing against UPS (you will see what I mean when you read the book).
The greatest thing about this book is that Hendrix has chosen to write ‘Souls’ with a female protagonist. Not just that: a kickass, middle-aged (even though I hate that word, because that’s what I am now, I suppose), female as its lead. And she plays the guitar like a certain other Hendrix. She doesn’t take any bull from anyone and doesn’t stop fighting back once she starts on her new road trip.
While it seems as though she has given up with her hotel job, the revelation that she must stop her old bandmate Terry Hunt, lights a fire in Kris, and the book has that vibe of ‘don’t give up, don’t let the system win, don’t let the bullies push you’. That’s highly clear in the messages of conspiracy theory, our paranoia-laden country, and how culture is selling itself (its soul) particularly out to cell phones and shallow marketing. Reading the book will give you a greater sense of the way the conspiracy theory works in ‘Souls’ - I’m kind of at a loss as how to explain the genius behind how it’s woven in - but Hendrix has cleverly used snippets of radio and newspaper to show how ‘news’ travels and information spreads. This has always been the way conspiracy theories spread and this underbelly of the book is fascinating.
If you don’t know all the music in the book, this may be a little daunting, as there are a lot of heavy metal and music references, but I think if you have even the remote interest in or knowledge of decades old music such as Black Sabbath and Slayer, and remember the days when everyone thought that heavy metal listeners were devil worshipers, you will appreciate what Hendrix is doing here (and no you don’t have to actually like the music). Trigger warnings for sexual assault and creepy crawlies; this is definitely rated R.
Hendrix is an undeniable force in pop culture literature and has written an unforgettable book, one that’s not for everyone, but will be a cult classic, but not like any of the schlock he writes about in his awesome ‘Paperbacks from Hell’. No one writes like this guy; ‘We Sold Our Souls’ is funny, gross, complex, and a wonderful blend of horror, pop culture, conspiracy theory, and is infused with a heavy dose of music history. Only Grady Hendrix could have done that.
**I'm really lucky because this Friday I get to meet Grady here in Seattle at his book signing and I get to have my big stack of books signed.
*Kudos to Doogie Horner again, for another excellent book cover design for Grady. It's worth noting that the hardcover of this book has beautiful black ink-sprayed pages.
What an amazing ‘signing’. To anyone who gets to go to one of the signings on this book tour: Grady will blow your mind with the presentation he has ready for you; I wish I’d been prepared and been able to record it or something, so I could listen to it again (you hear/see that, Grady?).
The whole ‘secret history’ behind heavy metal and how it has rotted so many young minds (aka the wonderful conspiracy theories that set WSOS in motion) is the basis for Grady’s brilliant ‘lecture’, along with a slideshow and I wish I’d at least taken notes, but I chuckled too much to do that. It was the most funny, inspiring, thoughtful signing I’ve been to yet.
THANK YOU TO GRADY for revealing the personal background behind writing this book in particular; I really appreciated your message at the end, you have so much heart, especially for a guy who writes some of my favorite books which are complete with things like people getting their scalps ripped off, beetles crawling down their shirts, and high schoolers needing exorcisms. Plus you will say ‘fuck’ a lot right near the children’s department in the bookstore and do the ‘voices’ of the members of KISS.
And I have NO idea how you have the energy that you do (you delivered about 20-25 pages at cutthroat speed), especially since I’m someone who has zero energy most of the time, thanks to MS.
Us Seattlites apologize for the death of metal circa 1991 when Nirvana et al burst onto the scene (I thought it was funny that you started your tour here*), but you must admit jeans are way more comfortable than leather pants, so that was a godsend. I’d love to hear your take on whether that was a conspiracy itself.
So, thank you for coming and signing my massive stack of books, for your presentation, and for your writing genius. Thank you to librarians for buying secret copies of books for kids like a certain one did for you.
*We would like to reiterate that we did indeed have a very hot and sunny summer here this year (again) in Seattle, and now that it’s raining we are actually all quite relieved. Sorry you had to experience it for your trip though. Make sure you come back for your next book.
It has been two hundred years since an eighteen-year old Mary Shelley gave life to one of the most haunting novels of all time and the first true work of science fiction, so Kiersten White’s retelling of ‘Frankenstein’ couldn’t come at a more perfect time. To think that the original book was written when a young girl accepted the challenge of writing a ‘ghost story’, and she originally didn’t lay claim to her own work.
Kiersten White has chosen to write ‘Dark Descent’ as a retelling from Elizabeth Lavenza’s perspective, a feminist retelling if there possibly can be one, set in a time when women were taught to be objects to be acquired.
In Shelley’s story, Elizabeth Lavenza (later to become Frankenstein) is a ‘gift’ given to Victor Frankenstein, a socially awkward child, and she is taken in by the affluent Frankenstein family in Geneva, saving her from her own mother and a life of destitution. Young Elizabeth tries desperately to win the favors of the volatile Victor, and to secure her place in the Frankenstein household, and soon brings in another young girl, Justine, much like herself, saving her from a life similar to her own. Justine Moritz is brought into the home as a governess to the other Frankenstein children, a calling that she is a natural at, and she and Elizabeth become fast friends. Much of this background is given to the reader by way of flashback interludes, as are the times that Elizabeth and Victor spent together back in Geneva before he leaves.
‘Dark Descent’ traces Elizabeth’s and Justine’s footsteps as they travel to Ingolstadt to find Victor - and his friend, Henry - which is where he went to continue ‘his studies’, but recently haven’t heard from. Following clues that are found in his letters home, they don’t have much to go on, but Elizabeth fears Victor’s obsessions and fevers have overcome him, and only she knows how to help him.
She also comes to the realization of what his experiments really signify, and wants to protect them from being discovered.
Without going further (maybe there are some people out there who don’t know the Frankenstein tale), what I will say is that this is a captivating, dark, and tragic story; times were bleak for many, and even more dismal for women, and this is made painfully clear in this retelling. White has made sure to paint a vivid picture of the ugly prospects that women had in the times of Elizabeth Frankenstein: the choices she mulls over in her head constantly are framed by how society judged women’s place in society and expected them to behave. None of that was science-fiction, and it provides a fascinating historical perspective, and leading questions into feminism. It’s not by coincidence that Shelley herself was the daughter of radical social philosophers, with her mother, Mary Wollstonecraft, being a writer of one of the most important founding works on family structure and women’s education in the eighteenth-century.
*It’s worth noting too, that the backstory and tumultuous early life of Elizabeth mirrors that of Mary Shelley (brought up by foster parents, suffered a lot of losses in her life). I find this fascinating, and feel that this permeates the writing of the original novel, and White tries to reflect this shadowing of tumultuousness, particularly in the flashbacks.
Initially I found the book slow to get into, but I later likened it to the slow discoveries that Elizabeth was making, and how the travel at the time must have felt, and I realized that this is the type of novel that I didn’t need to rush through after all. That said, at about half way, the pace picked up considerably and I didn’t want to put it down. Once the ‘monster’ comes into the story, everything seems to happen almost too quickly, and I had a lot of overwhelming emotions in the second half of the book that made it a weightier read as it went on, descending further into grief and desperation. The title is incredibly apt in that respect. I also especially love that the tone and prose feel in keeping with the period; Kiersten did an excellent job with this.
Few works of fiction can garner the status of crossing so many genres (horror, romance, sci-fi, literary fiction), have affected pop culture and so many types of media, for so many generations, and with one mention of the title, conjure up so vivid images and visceral reactions to its central story. Kiersten White has captured those images and the emotions effectively inside her version, without the cartoonish depiction of the modern monster, returning him to Shelley’s imagining. Upon reading, there is a sense that Elizabeth and the monster have much in common, and the misunderstanding from the world around them is palpable. There is a distinct uneasiness at the end though, and much like the end of the ‘Frankenstein’, and even ‘Dracula’, you’re left with the feeling that things are unfinished, and that the myth will continue. It’s a feeling I relish. If you have a taste for dark, gothic, or classic fiction, give this one a read; it’s also a fabulous pick especially for lovers of classic horror and science-fiction. Thank you, Mary Shelley!
*Kudos as always to Regina Flath for her brilliant design of the cover. Stunning.